Ok, I'm sold on Richard Spaven.
He actually had me at Jose James.
But his new cover of Photek's The Hidden Camera is fire.
One reason I like Richard so much is he applies creative constraints. All his innovation and creativity is focused into the name aperture of feel and phrasing. And it works.
For this lesson, I didn't transcribe Richard. I didn't even try to play exactly what he plays. Rather, I tried to capture how he feels.
Hope you enjoy!