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Self Taught Drummer? You Should Watch This

Nate Smith October 23, 2025

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Today's video starts with a counterintuitive truth - not every drummer needs drum lessons.

And not every drummer who might benefit from lessons needs them at every point in their development.

This may surprise you coming from a "drum coach", but the truth is I see two periods when some drummers can really benefit from having an expert check out their playing and save them "trial-and-error" steps...

...and in many other periods, they might be better off saving their money, or joining a membership site for courses, but working them on their own.

The specific periods in which I would recommend lessons to most drummers are...

...close to the beginning, when an expert can help show you the shortest path to basic proficiency and save you ending up in "local optimums" - I.e. with habits you have to unlearn in able to progress...

...and in the upper-intermediate stage, when most of the "easy wins" are out of the way so you need more specific mentorship, but you're not so advanced you can see clearly where to go and most of the time playing feels easy to you.

But what about drummers who are good candidates for being "career-long"'self-taught?

For that, if you're tremendously disciplined and organized, but also gentle with yourself and able to detach emotionally from the hard parts and see them just as "part of the process", you might be a good candidate.

We hear from some past podcast guests who embodied some of the qualities I'd consider important.

And finally, I end the lesson with some advice to drummers who choose to "go it alone".

Who should try to succeed as a self-taught drummer? And when? And if you are, what's the best way to do it?

We'll discuss all of that in today's video. Hope you enjoy!

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Can You Still Enjoy Drums If You’re Not Going Pro?

Nate Smith October 15, 2025

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A lot of drum stuff these days is like "secrets of the pros", "how to sound more like the pros", "how to go from intermediate to pro"...

And that leaves a BIG segment of drummers out.

The biggest, actually! What if you don't want to go pro?

What if you're not trying to play in stadiums, or go on tour, or “break out”?

A couple of weeks ago I did a video called "What if you've ever thought 'I suck at drums'". In it, I was tackling stuff we all face like imposter syndrome and being overly self-critical, and how to break out of that.

One comment I got on that video hit me between the eyes. I’ll paraphrase: “For those of us who don’t want to go pro, can we still enjoy drums?”

There’s way more context and emotional content in the full quote, which I share in the video, but wow! I hate to see people suffering because they’re comparing themselves to the best-drummers-of-all-time, genuinely not knowing if their lot in life is to feel crappy every time they sit down to play.

So I recorded this video more or less off the cuff as a response.

Of course you can. But the interesting part is why.

First off, comparing ourselves to social media is bad - but not for the reason (in my opinion) you might suspect. It’s not only that we see “better” drummers and find our playing wanting by comparison. It’s that social media skews our very definition of “good”.

Next, I hadn’t quite realized how big a tribe of “high-level amateurs” exists in drumming, and how good these folks can become, and how much they can enjoy drumming.

Then it hit me: high-level amateurs exist in practically any activity.

Not all good skateboarders are Tony Hawk. Not all good skiers are Bode Miller. Not all good golfers are Tiger, not all good cyclists are Tadej Pogecar, etc. But the difference is that drums are much more solitary. Sure, we play in bands from time to time, but we don’t play drums in groups with other drummers the same way we do golf, tennis, racquetball, jiujitsu, etc.

So we don’t see this “hidden tribe” of drummers.

Finally, I play an old classic - the “threshold effect”. Yes, you’ll always be “reaching” for the next level, or chasing challenges you find interesting. But you do reach a level above which drumming feels good for the majority of the time.

So I send this out to all the drummers who want to feel good playing, but have no interest in being the next Larnell or Weckl, and are wondering if there’s a brighter day available to them.

It gets better.

Hope you enjoy!

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The Cheat Code for Faster Drum Fills

Nate Smith October 8, 2025

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What are you supposed to say when every title you try sounds like 2015-era clickbait, but in your mind you actually, really solved, or partially solved this problem.

Where I come from, if they’re gonna call you clickbait either way, might as well get the viewz.

It’s in that spirit that I present today’s lesson - The Cheat Code for Faster Drum Fills. And it’s based on a pretty simple idea.

There’s the “old fashioned” way to increase your speed. Have your lexicon of improv vocabulary you’re practicing, and simply “bump up” the metronome a little every day. Then, something something, you’ll be able to play faster fills.

This isn’t even complete on its face.

“Why would we assume tempo is the only parameter we can play with,” an astute student in a drum lesson in that smoke-stained back room at Anthony’s Guitar Shop on East Main might ask…

…prompting his teacher to respond “SHUT UP, BILLY”.

But of course Billy is right. In software - I’ve heard on podcasts - there's the saying “you can have it cheap, you can have it bug-free, and you can have it soon. Choose two.”

It’s a pithy way to express a system with at least 3 inputs. And I’m sure we can come up with more inputs than just tempo for drum fills.

How about something like kinesthetic familiarity?

Or, the “kicker” in this case, number of things you try to play?

Take your normal 16th note improv speed. If I asked you to “double time” everything, you’d probably find it hard, right?

But what if I gave you only one lick, and asked you to double-time that?

To restate the software development adage - “you can play it fast, you can play it clean, or you can play all your vocabulary - choose two.”

By compromising on the “things to remember”, could we unlock some tempo gains?

Well, it turns out, from my experimentation at least, that we can.

That’s unsurprising. But what might blow your mind is that once we’ve added one lick to the double time regime, we can add more…

…and the time it takes to master them will, by my contention, still be less than if you’d just practiced everything linearly.

Hence “the wormhole method.”

Phew. Anyway, far from “clickbait”, I’m doing my best here to posit a genuine alternative for the accepted way to get faster.

Hope you enjoy!

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The Drum Sound Fix Nobody Talks About

Nate Smith October 1, 2025

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John Riley Said I Was WRONG About Hand Technique

Nate Smith September 25, 2025

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Is This The Easiest Dennis Chambers Lick?

Nate Smith September 18, 2025

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Watch This if You've Ever Thought "I Suck At Drums"

Nate Smith September 11, 2025

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The Left Hand Skill Good Drummers Should Have in 2025

Nate Smith August 27, 2025

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The Simple Lick You Didn't Know Pro Drummers Were Using

Nate Smith August 21, 2025

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Do You HAVE To Play Rimshots on Drums?

Nate Smith August 14, 2025

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I Was WRONG About Jazz Drumming - Here's Why

Nate Smith July 31, 2025

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If You're A Serious Drummer, You Should Do This

Nate Smith July 24, 2025

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The Tony Williams Opinion You Might Not Like

Nate Smith July 16, 2025

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Is The Internet Making Drums Worse?

Nate Smith July 9, 2025

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Why Good Drum Feel is So Hard

Nate Smith June 26, 2025

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Most Drummers Never Learn This Groove Concept

Nate Smith June 12, 2025

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Is Your Drumming Bulls#!t?

Nate Smith June 5, 2025

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3 Subdivisions You're Probably Not Using on Drums

Nate Smith May 29, 2025

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This is Killing Your Single Stroke Speed

Nate Smith May 18, 2025

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Why Does Everybody Hate Modern Drumming?

Nate Smith May 8, 2025

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